Clockways Writes ([syndicated profile] clockwayswrites_feed) wrote2025-08-11 06:25 pm

Explabirdion, bird part 53

masterpost please no editing or concrit, even with a but-
not 100% sure of the pacing of this one, but that’s what editing is for

They followed Frostbite through frozen halls to what Bruce assumed was a waiting room of some sort. The seats were massive and fur covered. Before she sat, Cass came over and took Danny’s hand from him, clearly feeling for a pulse herself.

Danny placed his other hand over hers. “It’s okay, anhinga. I’ll explain, and then we’ll go see Tim, okay?”

Cass frowned, but gave a little nod and took a seat next to Dick who wrapped an arm around her. Bruce, reluctant to let Danny go far, took the seat across from them so that he could keep Danny’s hand. Frostbite gave a nod towards Danny and left through the next door.

No one spoke.

A million thoughts ran through Bruce’s mind.

“Bruce,” Danny finally started, “do you believe in ghosts?”

“Yes,” Bruce replied easily. Gotham was too haunted by the dead not to. Bruce was too haunted by his past not to. Besides, there was Deadman.

Danny squeezed Bruce’s hand. His fingers were cold. “My parents are ectobiologists, they study ghosts. It’s been their life passion for… ever, really. It consumed them, their friend, our home, my childhood. We even lived in the most haunted city in America.

“Their lab was in the basement of our home. One of my chores as a kid was to clean it and change the filters on their machines. Dealing with it all the time made me pretty lax in lab safety. Well, growing up with them did; they even stored samples in our kitchen fridge. It was hardly a safe environment. Things were bad.” Danny fell quiet, gaze on the floor.

Bruce wanted protect Danny, protect him from the memories, from dangers long past, from the hurt that still lingered. He wanted to protect Danny from everything that he couldn’t actually protect Danny from. Instead, he prompted, “Your accident was in that lab, wasn’t it?”

“Yes,” Danny answered with a sigh. “My parents were working on a portal to the Ghost Zone, as they called it. It didn’t work, of course, like most of their inventions. My friends and I… well, we were stupid fourteen year olds. My one friend, Sam, dared me to go inside the portal for a picture. I’ve run over a thousand times what exactly happened. Was it just the switch I hit, was there a short, was a wire I bumped… well, the portal turned on. I was electrocuted to death.”

Bruce’s grip tightened on Danny’s hand.

Breathe. He had felt Danny’s pulse. He had seen Danny bleed. He knew that Danny was alive.

Did he?

Danny’s hand was cold.

“Bruce, hey, come one, focus on me. I’m right here? Alright?”

“I’m fine,” Bruce lied.

“Yeah, you can’t get away with that here. Ghosts are sensitive to emotions,” Danny said, “even half ghosts. I died, but at the same time, the ectoplasm from the portal revived me. I basically became Schrödinger’s Cat. I’m alive and dead at the same time.”

“And that works… because of the two forms?” Dick asked, probably so that Bruce didn’t have to.

Danny nodded. “Exactly. You all have known me in my human form. It’s the form that I’m in almost always these days, for a number of reasons. This is my ghost form. Which before you ask, the wings are new here too. After I turned into a… bird for the first time, I came to see Frostbite. When I transformed, I had wings. I, ah, never expected to get them in my human for too. It’s been a lot.”

“Phantom?” Cass asked.

“The name I’m known by here. Ghosts tend to take a new name, though not all do. But also I was…,” Danny sighs and slumps a little against Bruce’s shoulder. “I was a teenage vigilante. Which sounds like a bad alt-rock pop song, I know, but I was.”

Bruce froze.

Dick froze too, for just a moment, and then a slow grin formed. “No.”

“Yes?” Danny answered, confused.

Dick looked at Bruce. The grin was now dangerous. Bruce sighed heavily.

Danny sat up. “What am I missing?”

“Our loving father has a type,” Dick explained deceptively angelically, “and that type is vigilante.”

“Or anti-hero,” Cass added.

Dick nodded. “Or anti-hero. But a type none the less. We thought you might be a good change of pace for him, but here we find out he’s fallen back into old habits.”

Cass tsked disappointingly.

Bruce sighed again and covered his face.

“So you see,” Dick continued, “we can never let him live this down. Wait… is that phrase offensive here? ‘Live this down’ I mean?”

Danny chuckled. “I think you’ll be okay, the yeti are good people.”

“Endless teasing it is!”

“Or we can let Danny finish his story,” Bruce said, “so that we can go see Tim.”

“Right,” Danny said, tone serious again. “Teenage vigilante, someone had to stop the ghosts there escaping from the portal, my psychopathic godfather who is also half ghost, and do some light time traveling.”

“Time traveling,” Bruce said. Danny was going to turn him into a ghost at this rate.

Danny hummed. “My mentor is Clockwork, an Ancient of time. Ancients are being who are… embodiments of an idea or concept. Some of them were living beings once and became Ancients, others were neverborn. They existed with the idea of it.”

“Sound powerful,” Cass said.

“They are—extremely so,” Danny agreed. He took such a deep breath that Bruce felt the need to squeeze Danny’s hand in reassurance of whatever was to come. “And… part of this transformation of mine is my own path to becoming an Ancient.”

“What does that mean?” Bruce asked, working hard to keep his voice gentle.

“New powers, this new… form. Ghosts are malleable. Change is expected, though at a much more glacial pace. Ghosts aren’t granted a forever, but even an almost forever is long enough that things can take their time. Things are moving more quickly for me because of the fact that I’m half alive,” Danny explained.

“So… what are you the ancient of?” Dick asked into the resulting silence.

Danny quirked a crooked smile. “Hope. I’m… hope.”

Bruce squeezed Danny’s hand again. “It fits.”

“I don’t know about that,” Danny said, “but it allowed me to save Tim, so I’m embracing it.”

Tim’s name was a fresh chill down Bruce’s spine. “Tim—”

“Was dying,” Danny said with brutal efficiency. “Tim was dying. I brought him here to hope that Clockwork could reverse the process of it, but he couldn’t or wouldn’t… But it turned out that I could, with a cost.”

Danny stood and gave Bruce’s hand a little tug. Bruce didn’t want to follow, he wanted answers. He needed answers. But he stood. He’d followed Danny this far, he just had to follow a little longer.

They went through the far door and into a cavernous space. Yeti worked at consoles scattered through the space. In the center was a biotube. It was elevated off the ground on a metal base by a few feet. The liquid inside was green. Floating in the liquid was Tim.

Tim with white hair.

Tim with small, scarlet wings.

Danny eyes were locked on the tube. “All I could do was pour my power into Tim as he died. I revived him. As he was dying, I revived him… He’s like me now, a halfa. I’m sorry, Bruce, I couldn’t save him all the way.”

as long as there's light we got a chance ([syndicated profile] suzukiblu_feed) wrote2025-08-11 08:15 pm

WIP excerpt for Mango Bat behind the cut; “a fake cryptid and a real…

WIP excerpt for Mango Bat behind the cut; “a fake cryptid and a real romantic”.

(( chrono || non-chrono ))

Tim can see a spark of flickering red reflected in Superboy’s irises, which is hopefully just the reflection of the fire and not an adrenaline-fueled kickstart to the heat vision he’s presumably going to be developing. Tim can’t imagine Gotham appreciating half of one of her neighborhoods getting burned down via uncontrolled alien incendiary eye lasers, given heat vision just doesn’t seem like a very “trial and error” kind of superpower.

Yeah, no, early-access heat vision is really not something Tim can handle right now.

… he really hopes the TTK is what’s fireproof, because if Superboy is fireproof because he’s just invulnerable enough to be … well, that definitely ups the chances of early-access heat vision, is all.

“Superboy … huuuuurt?” Tim asks warily.

“Huh?” Superboy says, and blinks at him like that’s the weirdest question that anybody’s ever asked him. Then he turns bright red—possibly more red than that reflected spark in his eyes, which Tim is for the record very normal about—and half-covers his cheeks with his hands. “Uh—um, no, I—I’m cool! All good, man, I—yeah, I’m good. Uh. Sorry. Did I fuck something up?”

“… nnnnnooooo,” Tim replies slowly, flicking his eyes down to eye the summoning circle suspiciously. The flames gutter down lower, and then gutter out almost completely, and the circle—

Wait. What the hell is—is there something in the circle? 

What the hell, Tim thinks, staring blankly down at—

All the flames suddenly flare up hot and intense again and the thing in the circle flies up like the impact of an explosion just hit it, and it pops up into the air and smacks into Superboy’s arm—smacks around Superboy’s arm, and twists itself around his wrist.

“Shit!” Superboy yelps, jerking in surprise. “Sorry, sorry, did I—wait, uh—what’s—?” 

The flames cut out all at once, and the circle is left as nothing but ash. Tim stares at the thing that just wrapped itself around Superboy’s wrist. It’s … it looks like a long, thick leather strap with mismatched bits and pieces of things studded in and stuck to it. Things like … 

Tim … blinks, and tilts his head to one side, and Robin’s mask, as always, tilts a little farther than that. He sees … 

He sees leather, and metal, and moonlight. Dockyard steel and skyscraper glass and graveyard iron and gargoyle stone; scattered broken gravel and two smashed bullets and one pristine pearl, all strung through and studded into the heavy Bat-black leather that’s triple-wrapped itself around Superboy’s wrist. 

And, Tim recognizes a moment belatedly, a buckle made out of a wide, luminous camera lens that he’s seen a thousand times. 

He’s definitely seen it a thousand times, because it’s his camera lens. He can tell it’s his—it’s not the whole lens, just the front element and focus ring, but he still recognizes the style and make and he can see the same nick in the rim and same parallel scratches along the side. And even if he couldn’t tell from that, he’d still know, because it’s the front element and focus ring of the 135mm medium telephoto lens from his first camera. 

It’s the first lens he ever took a picture of the Batman through, he means. 

The first lens he ever took a picture of Robin through. 

Tim had taken photos of both of the Robins before him a good few dozen times each through that lens, and plenty of Nightwing too. And even his own Robin, just the once: set on a timer and just to make sure the effect of his Robin in the shadows was what he’d intended it to be. 

And then he’d packed that camera away, and hasn’t used it since. 

Tim has plenty of other cameras now—ones built into the eyes of Robin’s unblinking mask, and smaller, more portable ones that he can hide in a boot or up a sleeve; keep concealed and subtle and unseen. His first camera was too big and bulky and fragile for Robin to carry. 

But all the same, that’s the exact same lens that he first took a picture of the Batman with that’s sitting on Superboy’s wrist right now.

as long as there's light we got a chance ([syndicated profile] suzukiblu_feed) wrote2025-08-11 07:53 pm

Could broadly fit into some *hand wavey* spot in the Think Pink AU timeline, or could also just be&h

coconutjelly:

coconutjelly:

Could broadly fit into some *hand wavey* spot in the Think Pink AU timeline, or could also just be some PWP freeform smut.

Btw, this is entirely @suzukiblu’s fault for putting the idea in my head that you need a guide to climb Mount Everest in the comments of this post.

So like… *gestures at this filth* enjoy.


Keep reading

Confession time: Part of why I’m taking so long on the next chapter of Put a Ring is that my brain got stuck in porn mode and suddenly this smutty ramble has a title - “Summit” - a place in the Think Pink AU, and just shy of 6,000 words of kink negotiation, scening, and horny slice-of-life Timberkon. What is happening to my brain, y'all.


Keep reading

as long as there's light we got a chance ([syndicated profile] suzukiblu_feed) wrote2025-08-11 07:41 pm

This might not fit with the vibe of surprise prompts, but would you mind putting the name of the WIP

To be honest I HAVE considered doing that before but since I've always done my best to tag for any content warnings/triggers I can think of and my WIPs also all have their own specific story tags on top of that, I didn't end up going for it. Basically decided not to because I thought it might end up over-interrupting the flow of reading for people going through the whole tag later, and also usually the "surprise" fills are pretty short and the tags can be quickly scrolled down to. But also I guess I don't usually do a ton of surprise fills, the recent mystery boxes aside, so idk, really, maybe I'm just assuming it'd be more of an issue than it would be.

TL;DR: I'm a little bit up in the air on adding the WIP names at the top of asks like those, but I'll take it under consideration again; mull it over a bit ( and definitely if anyone else reading this has an opinion on if I should/shouldn't do the extra labelling, please feel free to weigh in here ). But either way my stuff's always gonna be labelled with its WIP tag at the bottom, so you can always check there and definitely ALWAYS feel free to block/filter any tags as needed; that is the whole reason they're there, hah, so people can either block them/search them as they please. I really try my best to make the reading experience as smooth/hassle-free as possible for as many people as possible.

as long as there's light we got a chance ([syndicated profile] suzukiblu_feed) wrote2025-08-11 07:21 pm

Kara: My cousin has kids now and I have to host them Three hours later Kara: ….Are these my kids bec

Man, inheritance law is such a bitch when you don't wanna inherit "ownership" of your baby cousin's still-technically-defined-as-property half-alien teenagers and can't even get a Red Lantern ring about it. 😮‍💨

The Stranger ([syndicated profile] the_stranger_news_feed) wrote2025-08-11 04:17 pm

MoPOP Meets Dirty South Feminism

Posted by Gennette Cordova

The exhibit 'Never Turn Back' marks a milestone for MoPOP: a framing of American history through the lens of Black music, curated by MoPOP’s first-ever Black curator, Adeerya Johnson. by Gennette Cordova

Walking into the Museum of Pop Culture’s latest exhibition, Never Turn Back: Echoes of African American Music, you’re met with sound—intentional and stirring. The rhythmic creaking wood conjures a slave ship crossing the Atlantic. In the distance, the wailing of Sam Cooke’s “A Change Is Gonna Come” rings out promisingly through the space. It’s clear from the outset that the exhibition is a tribute and a sermon.

Never Turn Back marks a milestone for the museum: a framing of American history through the lens of Black music, curated by MoPOP’s first-ever Black curator, Adeerya Johnson. The exhibition traces a lineage beginning from Negro spirituals and gospel to jazz, blues, soul, and hip-hop—genres born out of the Black experience, shaped by oppression, and wielded as tools of jubilation and protest.

Johnson’s vision for the exhibition is inseparable from her own background. A Decatur, Georgia, native and PhD student who coined the term “Dirty South Feminism,” she speaks of the Black South with a clear sense of its cultural power. “I am a Black girl from the South. I love to say that. Within the past five years [living between Vancouver and Seattle], I’ve leaned into the idea of the privilege of existing in the Black South,” she says, noting the advantage of being immersed in communities that reflect your cultural identity, from your neighbors and educators to the local doctors and artists. “It’s really special to go outside and see yourself 1,000 times over… and I was always surrounded by our music, with five different Black radio stations on at all times. That’s what shaped me.”

 

Black music is rooted in the South. It’s where spirituals were born, and where gospel evolved, laying the foundation for all Black music and shaping essentially all genres of American music. This early music was a form of faith and empowerment, which Black communities needed in abundance to survive slavery and the racial terror that followed emancipation. “I even added a little bit about the Fisk Jubilee Singers, and a hint of how HBCUs [Historically Black Colleges and Universities] have been so tied to the Black church.” In 1871, a group of nine young people formed a chorus with the goal of performing and raising money for their newly established Black college, Fisk University. Most of the original group, who became known as the Fisk Jubilee Singers, were former slaves. 

Johnson saw it as essential to weave the legacy of HBCUs into the story. “I reflected on my time at Spelman, and the Spelman and Morehouse Glee Clubs. They have such a rich history. And, of course, there’s Fisk. The Fisk Jubilee Singers were traveling across the world in the late 1800s singing for the Queen of England, and building a name for themselves—already showcasing the power of Black music and how it can globally mobilize. The idea is for people to develop a curiosity and unravel the history of HBCUs and the post-emancipation era.” 

 

Moving through the exhibition, Never Turn Back also sheds light on the contributions of Black blues women, who pioneered provocative and radical expression through music. The exhibition’s blues listening station features a “love hurts” theme and includes songs like “Ball and Chain” by Big Mama Thornton and “Crazy Blues” by Mamie Smith. The songs from this era touched on previously unbroached topics in mainstream music like domestic abuse and women committing infidelity. “A lot of these blues women were navigating sexuality and identity. The presence of Black queer women in blues is an important story to tell, because it provides insight into how Black women were thinking about themselves in the 1920s.” This is yet another area where Johnson’s personal identity shapes her curatorial lens. She discussed coming out as queer in her early 20s, and feeling a sense of protection within the breadth of the Black queer community in the South, which she again notes as a privilege. “For blues, I really wanted to also highlight where sacred music diverges into secular music. And blues is kind of an early form of hip-hop where they’re talking about, you know, sex and identity and drinking and smoking. But also the idea that Black people are free now.”

Johnson’s PhD research is grounded in Dirty South Feminism—her Southern take on the modern Black woman, inspired particularly by journalist Joan Morgan’s examinations of hip-hop and feminism. Like many of us, she has a deep love and appreciation for the genre, despite the contradictions it poses for Black women and women in general. She designed somewhat of a crash course on hip-hop sampling for Never Turn Back—illustrating how
producers recontextualized early gospel, soul, and jazz music, creating something responsive to their modern realities while working to immortalize the work of Black artists who came before them.

With an exploration of over a century of history, framed through music, Johnson delivers a moving and educational experience for MoPOP. Her position as the first Black curator in the museum’s history is both a unique responsibility and an opportunity. “It feels like a challenge in a good way,” she says. “There are not a lot of Black curators, just in the country. The reality is that we are not always welcome in museum spaces, as curators, or as educators, or as artists.”

Although the number of Black American curators doubled between 2015 and 2018, they still account for only an estimated 4 percent of museum curators. For Johnson, the confidence and freedom imparted by her colleagues gave her the space she needed to spearhead this project. And the inclusion of her perspective is especially timely at Seattle’s celebrated MoPOP, as Black contributions are tremendous but often the result of marginalization.

“Sometimes pop culture is scary when you are Black,” she says. “A lot of the art is a product of discrimination and exclusion, a product of redlining.” Johnson used the example of Motown, which nurtured the careers of countless artists, from Diana Ross to Marvin Gaye. The iconic record label’s formation and success was the outcome of Berry Gordy’s vision and the supreme talent of the musical acts, but it was also the outcome of the lack of opportunities available to Black artists in the music industry.

Fortunately for Seattle, Johnson sees her future in the museum world and, for now, in continuing to share the privilege afforded to her by her Black Southern roots with MoPOP. She hopes that Never Turn Back will attract more people to the space, particularly new visitors and Black women and girls. “Being in this space allows me to keep talking about Black culture and history in a way that’s accessible. Museums are really great spaces for people to learn from, and I don’t think that I can lean in on that as much, or create as much access, in academia.” 

Never Turn Back is on display at MoPOP through early 2027.

CHS Capitol Hill Seattle News ([syndicated profile] capitolhillseattle_feed) wrote2025-08-11 10:25 pm

In court-embattled Denny Blaine Park, a show of defiance, nudity… and puppets

Posted by AGPhoto

While the battle to keep Denny Blaine nude is playing out in court, members of the queer and nudist communities that love and utilize the park have continued to visit the popular beach this summer.

In a city where developers and wealthy NIMBYs seem to be nearly constantly scheming to carve up public space for private gain, revolutionary energy is also bubbling up at Denny Blaine in the form of puppets, nudity, and unapologetic queer defiance.

This weekend, guerrilla performances transformed the lakeside park into a stage for radical satire, bodily liberation, and a middle finger to privatization. The shows were part absurdist comedy, part scathing political critique, and directed their ire at figures like Stuart Sloan, the wealthy neighbor who has spent years trying to sanitize Denny Blaine, and Mayor Bruce Harrell’s laughably inept attempts to placate the NIMBYs.

One performance swung between nostalgia for freer times and biting commentary on whose bodies get to take up space. “These are my boobies!” declared an actor, fully nude except for a top hat. It was cheeky but the message hit home. Freedom has some rough edges — and the battle isn’t done.

CHS reported here on the latest around the park east of Capitol Hill on the shores of Lake Washington as the city has proposed a plan to create a “nude zone” within the park to win a compromise with a neighbor group suing to either bring an end to nudity and reports of illegal sex and drug use at the park — or shut it down.

Group Friends of Denny Blaine that has been working on community solutions to the issues around the park, its place in queer and nude culture, and the wealthy surrounding neighborhood had proposed a plan that focused on park rangers and new signs to keep Denny Blaine open — and nude.

But the city is now focused on a plan that would split Denny Blaine into zones. “To address Plaintiff’s concern that nudity should only be permitted in particular areas of the Park, the City’s Plan limits nudity to a specified area, with a visual barrier separating that area from the remainder of the Park,” the court-filed plan reads. “The City has selected the portions of the Park that will be clothing optional based on the Park’s geographical terrain and the historical use of the park.”

This weekend, the plays and puppet shows echoed many of the absurd elements about the legal fight pitting wealthy neighbors against the park’s LGBTQ and nudist history.

The Wandering Can offered a melancholy allegory for isolation in a bottle-dominated world. Mr. Green Juice Can, a lone outsider, drifts through bars, the light rail, and QFC, searching for kinship in a city too obsessed with its own reflection to notice. The heartbreaking piece mirrored the park’s history as a refuge for those pushed to the margins.

The park’s layered history also took center stage in a searing puppet show tracing its origins on stolen Indigenous land to its modern-day status as a queer haven. The performance skewered colonial profiteers like Charles Denny and current elites like Sloan and Harrell, who are now trying to push out nude bathers by installing a playground.

“Fuck Stuart Sloan!” echoed through the park as puppet of the mysterious Sloan (played by Rich Uncle Pennybags) met a honey bucket genie, where his three wishes: to erase park goers, unleash rats, and crush hope, all spectacularly backfired. Each scene was backed by banners displaying leaked texts between Sloan and Harrell, in which they pathologized nudity as “disgusting” while scheming to abate the park’s unrestrained joy.

Hope Freije, co-organizer, framed the event as both celebration and resistance: “We don’t need permission from the city to be naked,” Freije said. “Queer people, trans people, need a place to be, because it’s not safe for us everywhere.”

The day’s players — many nude or mostly — were in the spirit. And say they always will be.

“The courts can say what they want, because fuck it, we’re getting naked,” declared co-organizer Jackie Donovan.

As the shadows grew longer across Lake Washington, the message was clear: Denny Blaine isn’t just a park, it is a living stage for liberation. And if the rich and the city try to fence it off, they will likely find themselves countered by artists, puppets, and a whole lot of naked defiance.

 

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The Stranger ([syndicated profile] the_stranger_news_feed) wrote2025-08-11 01:49 pm

Stranger Suggests: A Film That Smells Like Farts, the Return of KEXP's BBQ, and a Big Mart for Smol

Posted by Julianne Bell

One really great thing to do every day of the week. by Julianne Bell MONDAY 8/11  

Rax King Presents ‘Sloppy: Or: Doing It All Wrong’

(BOOKS) Like many readers, I first fell in love with Rax King’s writing via her insightful, moving pop-culture essay “Love, Peace, and Taco Grease: How I Left My Abusive Husband and Found Guy Fieri,” which details how she overcame her toxic, controlling marriage while finding uninhibited joy in the Mayor of Flavortown's persona. Her 2021 debut essay collection, Tacky: Love Letters to the Worst Culture We Have to Offer, presents “a nostalgia-soaked antidote to the millennial generation’s obsession with irony,” exploring the hidden side of everything from Sex and the City to the Cheesecake Factory. Now, her new book, Sloppy: Or: Doing It All Wrong, picks up where her last book left off, examining “sobriety, begrudging self-improvement, and the habits we cling to with clenched fists.” (Third Place Books Ravenna, 7–8:30 pm, all ages, free) JULIANNE BELL

TUESDAY 8/12  

'Polyester' (in Odorvision)

(FILM) Setting out to make a “movie that really stunk,” reigning king of filth John Waters took inspiration from the 1960s theater gimmick Smell-O-Vision and Douglas Sirk’s jewel-box melodramas for his first movie with an actual budget, Polyester. The film follows Baltimore housewife Francine Fishpaw (played by Waters’s trusty muse, Divine) as she turns to alcoholism while dealing with her cheating pornographer husband, badly behaved children, and needy mother, until she meets the man of her dreams, Todd Tomorrow. Just like the film’s initial theatrical release back in 1981, this screening will be enhanced by Odorama, aka scratch-and-sniff cards that include scents like roses, pizza, flatulence, and dirty shoes. (Here-After, 7:30 pm, 21+) AUDREY VANN

WEDNESDAY 8/13  

Ethel Cain

(MUSIC) As her Southern Gothic stage persona Ethel Cain, Hayden Silas Anhedönia makes music that sounds like Flannery O’Connor by way of Lana Del Rey. Having been raised in a Southern Baptist family with a deacon as a father, she certainly has a wealth of material to draw from when it comes to the fanatical, the grotesque, and the unsettling. Now, she’s following up her instant-cult-favorite studio debut, Preacher’s Daughter, with her highly anticipated album, Willoughby Tucker, I’ll Always Love You. Her Daughters of Cain devotees are sure to line up in droves for her two-night run at the Paramount—expect lots of camo and frilly Picnic at Hanging Rock–esque white gowns. (Paramount Theatre, 8 pm, all ages) JULIANNE BELL

THURSDAY 8/14  

Writers With Drinks: Superstars of Queer Sci-Fi/Fantasy

(BOOKS) San Francisco–based queer fantasy writer Charlie Jane Anders has been producing her legendary Writers with Drinks variety show for two decades, and this month, she’s bringing it to Seattle. Anders is always the MC, offering delightfully unhinged introductions to every reader. In Seattle, she’s bringing a deep bench with her: her partner and many-award-winning science/sci-fi writer Annalee Newitz; bi-gender, biracial, bisexual author of Daron’s Guitar Chronicles Cecilia Tan; Apache oceanographer and novelist Darcie Little Badger; scientist and hoodoo conjurer Andrea Hairston; and author of the Wayfarers series, Becky Chambers. “After a Writers with Drinks show, the fabric of reality will have looser stitches,” Anders promises, “and a bit more frilly lace on the edges.” (Town Hall, 7:30 pm) HANNAH MURPHY WINTER

FRIDAY 8/15  

KEXP BBQ

(MUSIC/FOOD) Cue Wendy Rene’s “Bar-B-Q!” After a 13-year hiatus, KEXP is reviving its beloved summer tradition. Enjoy live performances from psychedelic soul king Curtis Harding, local instrumental troupe True Loves, Cameroon-born indie-rock artist Vagabon, rock trio Monsterwatch, and more, along with sets from KEXP DJs, refreshing brews, and of course, delicious BBQ grub from Tomo, Seattle Samosas, and Seattle Pops. (KEXP Courtyards, 2 pm, free for kids under 12) AUDREY VANN

SATURDAY 8/16  

Alki Beach Pride

Alki Beach Pride is August 16. COURTESY OF ALKI BEACH PRIDE

(COMMUNITY) Alki Beach’s annual Pride celebration didn’t exist when I was a queer questioning teenager growing up in West Seattle, but I truly wish it had. It isn’t that I felt unwelcome or unsafe to explore my sexuality—it is Seattle, after all—but I suspect that seeing familiar faces (teachers, classmates, neighbors, local business owners, etc.) celebrating Pride would have created less suspicion about who would be supportive. I also love that Alki Pride takes over the beach in August—two months after Pride Month—because many families and passersby who were just expecting another day at the beach will witness (or hopefully join) the festivities, which will include a variety of LGBTQ musicians and DJs, local food vendors, and handcrafted goods. (Alki Beach, noon, free) AUDREY VANN

SUNDAY 8/17  

Smol Art Mart

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(VISUAL ART) Four local artists—Mel of Miss Melbear, Nico of Niicomode, Ang of Pikarar, and Phong of Poiibo—are the brains behind this scrappy, spirited annual arts and crafts fair, which started out in 2023 with the goal of providing an accessible community for new and veteran artists alike. The nonprofit operation has gone from featuring around 15 vendors per event to over 150 and is now gearing up for this event at Magnuson Park Hangar 30, its largest venue yet. Besides browsing, you can spice up your boring old clothes with screen printing and participate in activities like a scavenger stamp hunt, Polaroid portrait drawings, and coloring stations. (Magnuson Park Hangar 30, noon–6 pm, free, all ages) JULIANNE BELL

:zap: Prizefight! :zap:

Win tickets to rad upcoming events!*

Weird Al Yankovic

August 15, White River Amphitheatre

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Contest ends August 13 at 10 am

Alabama Shakes

August 16, Climate Pledge Arena

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Contest ends August 13 at 10 am

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Clockways Writes ([syndicated profile] clockwayswrites_feed) wrote2025-08-11 02:19 pm

Speed Running Family, ch2.p1

masterpost pls no editing or concrit <3

“Hash is up!” Barry says. Bart gives a cheer and bounces up off the ground. “James, any issues with potatoes, onions, bell pepper, or any spices?”

“What? No? Wait, that’s your food,” ‘James’ says with such a confused expression that Bart can’t help but reach out and poke his furrowed brows.

“Dude,” Bart says, trying not to giggle at Jame’s cross eyed expression as he tried to look at Bart’s finger, “it’s just basic food. I mean, it will be good! But it’s, like, totally crash.”

Iris reaches out and pulls Bart back by his shirt collar. Bart goes a little rag doll and lets her. “What Bart means, is that it’s no problem for us to share it with you. And sorry about him, he’s a little feral.”

“Yep!” Bart agrees with a grin.

That makes James give a little snort of laughter at least, so Bart counts it as a win.

“No allergies then?” Barry asks and holds out a play towards James.

“Um, nothing food wise, thanks,” James says, head ducked even as he takes one of the plates.

“No problem, what’s ours is yours,” Barry says with one of those real honest smiles that makes him a good hero.

Bart takes the other plate and settles happily back down on the ground. It’s effort, though, to eat the food at a normal person pace. Bart mostly deals by mimicking the bites that James or Iris take. He does the same thing when he’s out to eat with any of the YJers.

Oh, man, that’s going to be a thing this whole trip now, isn’t it?

Bart muffles a sigh with a large bit of potato. He can handle it. He’ll be super good any everything so that ‘James’ can stay at their camp with them. The dude is all alone, and that isn’t okay. Bart knows.

“Have you ever fished before?” Bart asks when he gets bored of just eating. Seriously, how to normal people deal with this?

“Um, no,” James replies, finally, when no one else does.

“Cool. Barry is going to teach me how to fish, but I don’t think he really knows either, but there’s this thing called noodling that I saw a video about, and I asked Barry if he thought we could do it, and he says we that we totally can, and I think it would be crash if we do!”

“Bart, dude, breathe,” Wally says.

Bart rolls his eyes and shoves more food in his mouth.

James tilts his head. For the first time, Bart notices the silver glint of a scar on Jame’s neck. “Why is it called noodling?”

“Oh!” Bart chirps, scar instantly forgotten. “Cause you stick your hand into catfish burrows and wiggle your fingers around like, noodles I guess! Or worms! And then you pull your hand out and ta-da! Catfish on your arm!”

James blinks down at Bart. “And… you want to do this?”

“Duh! Wanna come with and try?”

James stares a little longer and then just shrugs. “I… sure, I guess, why not?”

“Crash!”

Clockways Writes ([syndicated profile] clockwayswrites_feed) wrote2025-08-11 02:04 pm

Hi! Out of pure curiosity… How is the fic you are totally not writing doing? As I said this is just

Well, it has 21K totally not written and an outline of 40 chapters... but I admittedly haven't touched it in a good bit. I've been assuming it would be the next big fic after birb, but birb still isn't done, why birb why--

So yep. n_n;

The Stranger ([syndicated profile] the_stranger_news_feed) wrote2025-08-11 12:10 pm

All Roads Lead to Den Fest

Posted by Brittne Lunniss

Den Fest isn’t a garage sale, nor is it a greasy meeting in your weird uncle’s basement. by Brittne Lunniss

Photos by Brittne Lunniss

Kay Redden, Ballard’s unofficial mayor, knows how to gather. Whether she’s rounding up records at Sonic Boom, taking song requests at Hattie’s karaoke, or supporting local bands through her cassette-only record label Den Tapes, Redden does it all—a Gathering Gal, if you will. And on Friday night at a sold-out Sunset Tavern (where, unsurprisingly, Redden also works), she once again flaunted her chops for curation by throwing her biggest gathering of all: Den Fest.

Local favorites WILD POWWERS playing their last set. All good things must come to an end, but tape never dies. 

Den Fest isn’t a garage sale, nor is it a greasy meeting in your weird uncle’s basement. Den Fest is a celebration of Den Tapes, which Redden conceived in 2015. Having released more than 100 albums on cassette, Den Tapes has become a staple of the local music scene by fostering inclusivity and creating opportunities for local musicians. 

Don Piano warming up the indoor stage Friday night at Den Fest. The indie-folk artist didn’t actually play the keys, but the crowd swooned for Mr. Piano all the same. (We get it. Don Guitar doesn’t have quite the same ring to it.)

Friday kicked off part one of the two-day festival, featuring Den Tapes artists like WILD POWWERS, Soft Boiled, Choke the Pope, and Fell Off. Despite being sold out, the event didn't feel uncomfortably rowdy. While other festivals may bring stagedivers, moshpitters, aggro-bros, and the like, Den Fest felt relaxed. With two stages, many striped sweaters, and a sizable collection of square glasses, the evening felt like an extensive house show thrown by my stoner neighbor. The vibe could very much be described as electrically chill.

Fell Off taking Garage Band to the next level. Shredding the outdoor stage, vocalist Rob Joynes ensured high energy and high visibility—love a reflective sweater.

This year's anniversary installment felt bittersweet, too, as it marked the last shows for two of Redden’s bands; WILD POWWERS and Choke the Pope bid adieu after their Friday night sets. The two groups have been active in the Seattle scene for more than a decade, and while they could have thrown going-away parties at their choice of local venues, it felt cathartic for the bands to end right where they began.

Ballard’s best sunset illuminates the Ave as concertgoers gab between sets.

Prior to WILD POWWERS’s (last ever?!) set, Redden took the stage to express gratitude for bands and attendees. “I had always dreamed of having a community like this, and we made it happen… so fucking sick.” Fucking sick, indeed. As to the future of Den Fest? Redden says they have no plans of slowing down any time soon. 

Den Daddy Kay Redden preaching to her children as the power of Rainier compels her.

Visit Den Tapes' Bandcamp to learn more about the local band's Redden's gathered. With fresh finds and favorite familiars like Small Paul, Bad Optics, Swamp Wife, Smoker Dad, Zookraught, and more, Den Tapes makes it easy to procure your next earworm. Or shall we call it, Tape worm?

The wild powers of Lupe Flores.
CHS Capitol Hill Seattle News ([syndicated profile] capitolhillseattle_feed) wrote2025-08-11 05:00 pm

SPD makes arrests, searches for attempted carjackers on gun-heavy Friday night of crime on Capitol H

Posted by jseattle

East Precinct police responded to a rush of gun-related incidents Friday night including the pepper spray-soaked aftermath of an attempted armed carjacking at Melrose and Thomas.

The Seattle Police Department says officers were called to Melrose around 11 PM to a report of a fight involving armed assailants. 911 callers reported a fight involving guns and pepper spray at the scene but no shots fired.

Officers arrived after the suspects fled the scene.

SPD says witnesses reported multiple suspects pulled up in a car near where they were parked and two males armed with handguns “pulled the victims out of their vehicle, threatened them at gunpoint, stole items from them, attempted to carjack them.” During the altercation, the suspects hit the victims with pepper spray and fled the area after the unsuccessful car theft.

There were no additional injuries reported and no immediate arrests.

Meanwhile, police were also responding to Broadway and Pike where a suspect was threatening to shoot the security guards outside a business.

“The suspect had been throwing glass bottles at a wall, told security he had a firearm, and made direct threats,” SPD reports. “Officers arrived on scene and located security talking to the suspect. Officers attempted to detain the suspect, who began fighting with the four responding officers.”

SPD says officers used a taser to subdue and arrest the suspect. A loaded Glock firearm was found on the suspect and taken into evidence. SPD says the suspect was transported to Harborview for medical clearance before being booked into jail.

Earlier in the night just before 10 PM, police say they made an arrest after a 911 caller reported an intoxicated male walking with a gun in his hand on Broadway. “Officers developed a tactical plan, arrived, contacted, and detained the suspect,” SPD reports.

Police say the “highly intoxicated” suspect was a 17-year-old with prior robbery convictions. The Glock handgun he was carrying taken into evidence. The teen was arrested and booked into the Youth Service Center jail on 12th Ave.

The gun-heavy night of Capitol Hill crime follows recent incidents including a man being grazed by a bullet in a shooting during a Broadway/Fir street fight late last month and a shooting amid packed Pike/Pine nightlife crowds in early July that fortunately caused no injuries.

The King County Prosecutor’s Office says (PDF) gun crime has continued to drop in the county after “the safest first quarter in terms of gun violence in the past five years.” SPD and Mayor Bruce Harrell, meanwhile, are advocating for expanding the city’s test of the new SPD surveillance camera system to include the Pike/Pine nightlife district.

While studies have shown that many guns used in crimes were purchased illegally, the rate of guns reported stolen from motor vehicles has surged in recent years.

A spate of shootings and homicides the first weekend of August brought a response new SPD Chief Shon Barnes following three deadly shootings in the city. “We want to reassure the community that we are committed to preventing further incidents of gun violence,” Barnes said in the statement.

“Achieving this goal requires collaboration between the criminal justice system and the community,” Barnes said. The chief says SPD holds meetings twice a week “to discuss violent crime trends and to determine resource allocations based on data-driven approaches and assessed needs.”

 

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CHS Capitol Hill Seattle News ([syndicated profile] capitolhillseattle_feed) wrote2025-08-11 05:35 pm

After damaging fire, Post Options has temporary new home in Capitol Hill’s ‘Christmas Dive Bar’

Posted by jseattle

Comesongsri is making things work on 11th Ave (Image: CHS)

Thanks to the kindness and support of surrounding businesses and loyal customers, Post Options is serving Capitol Hill again from a new temporary location. Meanwhile, neighboring bar Unicorn is preparing to reopen after an overhaul and repairs.

Veti Comesongsri and Nongnuch Paungpornsri are expressing their gratitude this week following the July 30th electrical fire that caused more than $175,000 in damage to the 12th and Pike buildings the neighborhood business center and the circus-themed bar call home. Owners of The Woods on 11th Ave have opened the nightclub space for Post Options to continue serving customers while the long path to reopening the E Pike business center take shape.

Comesongsri says Post Options is only able to provide mail and package delivery for existing mailbox customers in the new temporary location where Pike/Pine’s annual Christmas Dive Bar pops up during the holidays.

“he restoration team is killing it not to be confused with the new season of Dexter. We miss you! 💖 We’ve been hard at work getting the bar ready for your safety and fun. While we’re aiming to reopen by the 22nd (hopefully sooner ), we’ll keep you posted.” — @unicornseattle

Monday morning, Comesongsri and Paungpornsri were organizing mail and parcels inside the new temporary Post Options amid Christmas decorations from the space’s time as a seasonal holiday pop-up bar. The 11th Ave temporary space is part of the Burgess Hall Group family of neighborhood businesses including nearby Queer/Bar, Elliott Bay Book Company, and the Oddfellows cafe.

Meanwhile, around the corner, the Unicorn is making preparations to reopen before the end of the month as a restoration team finishes work repairing water and smoke damage from the July 30th fire.

CHS reported on the aftermath of the fire including a community fundraiser to support Post Options that has now raised nearly $25,000.

The Unicorn says it is working on a way for fans to offer support through the closures, too.

Post Options will likely need every penny as the insurance process and efforts to rebuild the former space play out. On the corner, Gong cha Tea is lined up to eventually move into that space after overhauls but this block of 12th and Pike is likely to be quiet for months.

For Post Options, Comesongsri says he is sorting out lease options for a temporary home and in the meantime will continue to serve mailbox customers as best they can.

Post Options is temporarily located at 1512 11th Ave to serve existing mailbox customers.

 

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Pluralistic: Daily links from Cory Doctorow ([syndicated profile] doctorow_feed) wrote2025-08-11 04:29 pm

Pluralistic: Goodhart's Law (of AI) (11 Aug 2025)

Posted by Cory Doctorow


Today's links



A black and white photo of an old one-room schoolhouse, seen from the back of the classroom. A teacher sits behind a desk and a US flag at the front of the class. Beside her, a small girl stands, reading aloud from a book. The image has been altered. In the foreground is a Robin Hood figure, seen from behind, holding a bow, a quiver of arrows on his back. Behind the little girl is the glaring red eye of HAL 9000 from Stanley Kubrick's '2001: A Space Odyssey.' An arrow vibrates dead-center in the eye.

Goodhart's Law (of AI) (permalink)

One way to think about AI's unwelcome intrusion into our lives can be summed up with Goodhardt's Law: "When a measure becomes a target, it ceases to be a good measure":

https://en.wikipedia.org/wiki/Goodhart%27s_law

Goodhart's Law is a harsh mistress. It's incredibly exciting to discover a new way of measuring aspects of a complex system in a way that lets you understand (and thus control) it. In 1998, Sergey Brin and Larry Page realized that all the links created by everyone who'd ever made a webpage represented a kind of latent map of the value and authority of every website. We could infer that pages that had more links pointing to them were considered more noteworthy than pages that had fewer inbound links. Moreover, we could treat those heavily linked-to pages as authoritative and infer that when they linked to another page, it, too, was likely to be important.

This insight, called "PageRank," was behind Google's stunning entry into the search market, which was easily one of the most exciting technological developments of the decade, as the entire web just snapped into place as a useful system for retrieving information that had been created by a vast, uncoordinated army of web-writers, hosted in a distributed system without any central controls.

Then came the revenge of Goodhart's Law. Before Google became the dominant mechanism for locating webpages, the only reason for anyone to link to a given page or site was because there was something there they thought you should see. Google aggregated all those "I think you should see this" signals and turned them into a map of the web's relevance and authority.

But making a link to a webpage is easy. Once there was another reason to make a link between two web-pages – to garner traffic, which could be converted into money and/or influence – then bad actors made a lot of spurious links between websites. They created linkfarms, they spammed blog comments, they hacked websites for the sole purpose of adding a bunch of human-invisible, Google-scraper-readable links to pages.

The metric ("how many links are there to this page?") became a target ("make links to this page") and ceased to be a useful metric.

Goodhart's Law is still a plague on Google search quality. "Reputation abuse" is a webcrime committed by venerable sites like Forbes, Fortune and Better Homes and Gardens, who abuse the authority imparted by tons of inbound links accumulated over decades by creating spammy, fake product-review sites stuffed with affiliate links, that Google ranks more highly than real, rigorous review sites because of all that accumulated googlejuice:

https://pluralistic.net/2024/05/03/keyword-swarming/#site-reputation-abuse

Goodhart's Law is 50 years old, but policymakers are woefully ignorant of it and continue to operate as though it doesn't apply to them. This is especially pronounced when policymakers are determined to Do Something about a public service that has been starved of funding kicked around as a political football to the point where it has degraded and started to outrage the public. When this happens, policymakers are apt to blame public servants – rather than themselves – for this degradation, and then set out to Bring Accountability to those public employees.

The NHS did this with ambulance response times, which are very bad, and that fact is, in turn, very bad. The reason ambulance response times suck isn't hard to winkle out: there's not enough money being spent on ambulances, drivers, and medics. But that's not a politically popular conclusion, especially in the UK, which has been under brutal and worsening austerity since the Blair years (don't worry, eventually they'll do enough austerity and things will really turn around, because, as the old saying goes, "Good policymaking consists of doing the same thing over and over and expecting a different outcome)."

Instead of blaming inadequate funding for poor ambulance response times, politicians blamed "inefficiency," driven by a poor motivation. So they established a metric: ambulances must arrive within a certain number of minutes (and they set a consequence: massive cuts to any ambulance service that didn't meet the metric).

Now, "an ambulance where it's needed within a set amount of time" may sound like a straightforward metric, and it was – retrospectively. As in, we could tell that the ambulance service was in trouble because ambulances were taking half an hour or more to arrive. But prospectively, after that metric became a target, it immediately ceased to be a good metric. That's because ambulance services, faced with the impossible task of improving response times without spending money, started to dispatch ambulance motorbikes that couldn't carry 95% of the stuff needed to respond to a medical emergency, and had no way to get patients back to hospitals. These motorbikes were able to meet the response-time targets…without improving the survival rates of people who summoned ambulances:

https://timharford.com/2014/07/underperforming-on-performance/

AI turns out to be a great way to explore all the perverse dimensions of Goodhart's Law. For years, machine learning specialists have struggled with the problem of "reward hacking," in which an AI figures out how to meet some target in a way that blows up the metric it was derived from:

https://research.google/blog/bringing-precision-to-the-ai-safety-discussion/

My favorite example of this is the AI-powered Roomba that was programmed to find an efficient path that minimized collisions with furniture, as measured by a forward-facing sensor that sent a signal whenever the Roomba bumped into anything. The Roomba started driving backwards, smashing into all kinds of furniture, but measuring zero collisions, because there was no collision-sensor on its back:

https://x.com/smingleigh/status/1060325665671692288

Charlie Stross has observed that corporations are a kind of "slow AI," that engage in endless reward-hacking to accomplish their goals, increasing their profits by finding nominally legal ways to poison the air, cheat their customers and maim their workers:

https://memex.craphound.com/2017/12/29/charlie-strosss-ccc-talk-the-future-of-psychotic-ais-can-be-read-in-todays-sociopathic-corporations/

Public services under conditions of austerity are another kind of slow AI. When policymakers demand that a metric be satisfied without delivering any of the budget or resources needed to satisfy it, the public employees downstream of that impossible demand will start reward-hacking and the metric will become a target, and then cease to be a useful metric.

Which brings me, at last, to AI in educational contexts.

In 2008, George W Bush stepped up the long-running war on education with the No Child Left Behind Act. The right hates public education, for many reasons. Obviously, there's the fact that uneducated people are easier to mislead, which is helpful if you want to get a bunch of turkeys to vote for Christmas ("I love the uneducated" -DJ Trump). Then there's the fact that, since 1954's Brown v Board of Ed, Black and brown kids were legally guaranteed the right to be educated alongside white kids, which makes a large swathe of the right absolutely nuts. Then there was the 1962 Supreme Court decisions that banned prayer in school, leading to bans on teaching Christian doctrine, including nonsense like Young Earth Creationism. Finally, there's the fact that teachers a) belong to unions; and, b) believe in their jobs and fight for the kids they teach.

No Child Left Behind was a vicious salvo in the war on teachers, positing the problem with education as a failure of teachers, driven by a combination of poor training and indifference to their students. Under No Child Left Behind, students were subjected to multiple rounds of standardized tests, and teachers with low-performing students had their budgets taken away (after first being offered modest assistance in improving those scores).

Some of NCLB's standardized tests represented reasonable metrics: we really do want kids to be able to read and do math and reason and string together coherent thoughts at various points in their schooling. But when these metrics became targets, boy did they stop being useful as metrics.

It's impossible to overstate how fucking perverse NCLB was. I once met an elementary school teacher from an incredibly poor school district in Kansas. Many of her students were resettled refugees who didn't speak English; they spoke a language that no one in the school system could speak, and which had no system of writing. They arrived in her classroom unable to speak English and unable to read or write in any language, and no one could speak their language.

Obviously, these students performed badly on standardized tests delivered in English (it didn't help that they had to take the tests just months after arriving in the classroom, because the clock started ticking on their first test when they entered the system, which could take half a year to place them in a class). Within a couple years, these schools had had most of their budgets taken away.

When the standardized tests rolled around, this teacher would lead her students into the only room in the school with computers – the test taking room. For many of these students, this was the first time they had ever used a computer. She would tell them to do their best and leave the room for an hour, while a well-paid proctor (along with test-taking computers, the only thing NCLB guaranteed funding for) observed them as they tried to figure out how a mouse worked. They would all score zero on the test, and the school would be punished.

NCLB was such a failure that it was eventually rescinded (in 2015), but by that time, a new system of standardization had rushed in to fill the gap, the Common Core. Common Core is a set of rigid standardized curriciula – with standardized assessment rubrics – that was, once again, driven by contempt for teachers. The argument for Common Core was that students were failing – not because of falling budgets or No Child Left Behind – but because the unions were "protecting bad teachers," who would then go on to fail students. By taking away discretion from teachers, we could impose "accountability" on them.

The absolutely predictable outcome followed Goodhart's Law to a tee: teachers prioritized inculcating students with the skills to pass the standardized tests, and when those test-taking skills crowded out actual learning, learning fell by the wayside.

This continues up to the most advanced part of public education, the Advanced Placement courses that students aspiring to college are strongly pressured to take. If Common Core is rigid, AP is brittle to the point of shattering. Anyone who's ever parented a kid through the US secondary school system knows how much time their kids spent learning to hit their marks on standardized assessments, to the exclusion of actual learning, and how soul-suckingly awful this is.

Take that staple of the AP assessment rubric: the five-paragraph essay (5PE), bane of students, teachers and parents everywhere:

https://www.insidehighered.com/blogs/just-visiting/kill-5-paragraph-essay

Speaking as a sometime writing teacher and an internationally bestselling essayist, 5PEs are objectively very bad essays. Their only virtue is that they can be assessed in a totally standard way, so the grade any given 5PE is awarded by any grader is likely to be the same grade it receives when presented to any other grader. Grading an essay is an irreducibly subjective matter, and the only way to create an objective standard for essays is to make the essays unrecognizable as essays.

And yet, the 5PE is the heart of assessment for many AP classes, from History to English to Social Studies and beyond. A kid who scores high on any humanities APs will have put endless hours into perfecting this perfectly abominable literary form, mastering a skill that they will never, ever be called upon to use (the top piece of college entrance advice is "don't write your personal essay as a 5PE" and college professors spend the first half of their 101 classes teaching students not to turn in 5PEs).

The same goes for many other aspects of AP and Common Core assessment. If you do AP Lit, you'll be required to annotate the literature you read by making a set number of marginal observations on every page of the novels, poems and essays you read. Again, as a literary reviewer, novelist, and nonfiction writer who's written more than 30 books, I have to say, this is a batshit way to learn to analyze and criticize literature. Its sole virtue is that it reduces the qualitative matter of literary analysis to a quantitative target that students can hit and teachers can count.

And that's where AI comes in. AI – the ultimate bullshit machine – can produce a better 5PE than any student can, because the point of the 5PE isn't to be intellectually curious or rigorous, it's to produce a standardized output that can be analyzed using a standardized rubric.

I've been writing YA novels and doing school visits for long enough to cement my understanding that kids are actually pretty darned clever. They don't graduate from high school thinking that their mastery of the 5PE is in any way good or useful, or that they're learning about literature by making five marginal observations per page when they read a book.

Given all this, why wouldn't you ask an AI to do your homework? That homework is already the revenge of Goodhart's Law, a target that has ruined its metric. Your homework performance says nothing useful about your mastery of the subject, so why not let the AI write it. Hell, if you're a smart, motivated kid, then letting the AI write your bullshit 5PEs might give you time to write something good.

Teachers aren't to blame here. They have to teach to the test, or they will fail their students (literally, because they will have to assign a failing grade to them, and figuratively, because a student who gets a failing grade will face all kinds of punishments). Teachers' unions – who consistently fight against standardization and in favor of their members discretion to practice their educational skills based on kids' individual needs – are the best hope we have:

https://pluralistic.net/2025/03/29/jane-mcalevey/#trump-is-a-scab

The right hates teachers and keeps on setting them up to fail. That hatred has no bottom. Take the Republican Texas State Rep Ryan Guillen, whose House Bill 462 will increase the state's school safety budget from $10/student to $100/student, with those additional funds earmarked to buy one armed drone per 200 students (these drones are supplied by a single company that has ties to Guillen):

https://dronelife.com/2024/12/08/texas-lawmaker-proposes-drones-for-school-security-a-less-lethal-solution/

Imagine how much Texas schools could do with an extra $90/student/year – how much more usefully that money could be spent if it were turned over to teachers. But instead, Rep Guillen wants to put "AI in schools" in the form of drones equipped with pepper-spray, flash bangs, and "lances" that can be smashed into people at 100mph.

The problem with AI in schools isn't that students are using AI to do their homework. It's that schools have been turned into reward-hacking AIs by a system that hates the idea of an educated populace almost as much as it hates the idea of unionized teachers who are empowered to teach our kids.

(Image: Cryteria, CC BY 3.0; Lee Haywood, CC BY-SA 2.0; modified)


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#15yrsago Bill Ayers’s To Teach: The Journey, in Comics, a humanist look at education https://memex.craphound.com/2010/08/10/bill-ayerss-to-teach-the-journey-in-comics-a-humanist-look-at-education/

#10yrsago Kansas officials stonewall mathematician investigating voting machine “sabotage” https://www.kansas.com/news/politics-government/article27951310.html

#10yrsago Chinese mega-manufacturers set up factories in India https://web.archive.org/web/20150811043714/https://www.itworld.com/article/2968375/android/foxconn-to-invest-5b-to-set-up-first-of-up-to-12-factories-in-india.html

#10yrsago Oracle’s CSO demands an end to customers checking Oracle products for defects https://arstechnica.com/information-technology/2015/08/oracle-security-chief-to-customers-stop-checking-our-code-for-vulnerabilities/

#10yrsago Girl Sex 101: “for EVERYone who wants to bone down with chicks, regardless of your gender/orientation.” https://www.ohjoysextoy.com/girlsex-101/

#10yrsago John Oliver on the brutal state of sex-ed in America https://www.youtube.com/watch?v=L0jQz6jqQS0

#10yrsago Insurance monitoring dashboard devices used by Uber let hackers “cut your brakes” over wireless https://www.wired.com/2015/08/hackers-cut-corvettes-brakes-via-common-car-gadget/

#10yrsago US lobbying for TPP to lock up clinical trial data https://theconversation.com/how-the-battle-over-biologics-helped-stall-the-trans-pacific-partnership-45648

#10yrsago Larry Lessig considers running for the Democratic presidential nomination https://www.youtube.com/watch?v=CaqrQz71bMk

#10yrsago Felicia Day’s “You’re Never Weird on the Internet (Almost)” https://memex.craphound.com/2015/08/11/felicia-days-youre-never-weird-on-the-internet-almost/

#10yrsago Overshare: Justin Hall’s biopic about the first social media/blogging https://www.youtube.com/watch?v=AxD4mqFtySQ

#5yrsago When you hear "intangibles"… https://pluralistic.net/2020/08/11/nor-glom-of-nit/#capitalists-hate-competition

#5yrsago How they're killing the post office https://pluralistic.net/2020/08/11/nor-glom-of-nit/#sos-usps

#5yrsago Terra Nullius https://pluralistic.net/2020/08/11/nor-glom-of-nit/#terra-nullius

#5yrsago Uber lost $4b in H1/2020 https://pluralistic.net/2020/08/10/folksy-monopolists/#bezzled

#5yrsago Warren Buffet, monopolist https://pluralistic.net/2020/08/10/folksy-monopolists/#folksy-monopolists


Upcoming appearances (permalink)

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Recent appearances (permalink)



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Latest books (permalink)



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Upcoming books (permalink)

  • Canny Valley: A limited edition collection of the collages I create for Pluralistic, self-published, September 2025
  • Enshittification: Why Everything Suddenly Got Worse and What to Do About It, Farrar, Straus, Giroux, October 7 2025
    https://us.macmillan.com/books/9780374619329/enshittification/

  • Unauthorized Bread: a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2026

  • Enshittification, Why Everything Suddenly Got Worse and What to Do About It (the graphic novel), Firstsecond, 2026

  • The Memex Method, Farrar, Straus, Giroux, 2026

  • The Reverse-Centaur's Guide to AI, a short book about being a better AI critic, Farrar, Straus and Giroux, 2026



Colophon (permalink)

Today's top sources:

Currently writing:

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. (1076 words yesterday, 27803 words total).
  • A Little Brother short story about DIY insulin PLANNING


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DCxDPdabbles ([syndicated profile] dcxdpdabbles_feed) wrote2025-08-11 11:41 am

Hey! I am mostly a lurker in the dpxdc fandom, but I found this thing that I think you should know a

Thank you for notifying me when you thought something bad was going on. It's really cool of you to look out for writers like that. ❤️

But not to worry, Rbooks is my main blog. I used to post my DCXDP stuff on there until I decided to get a blog dedicated entirely to the cross-over. I moved my stuff with reblogs but left the originals on the main for peps who had them saved.

Clockways Writes ([syndicated profile] clockwayswrites_feed) wrote2025-08-11 09:02 am

In fellow anon’s defense, they may have decided to reread the entire series again and forgot why the

Lol that's valid.

No anger to last anon BTW. Just I was all *head tilted confused*. But yesterday was also a high fatigue and pain day so I was very brain fogged.

The Stranger ([syndicated profile] the_stranger_news_feed) wrote2025-08-11 09:15 am

Slog AM: Israel Kills Five Al Jazeera Journalists, Murder Is Down in King County, Trump to Mobilize

Posted by Nathalie Graham

The Stranger's morning news roundup. by Nathalie Graham

Israel Deliberately Attacks, Kills Journalists: A targeted Israeli airstrike Sunday night killed five Al Jazeera journalists, including the prolific reporter Anas al-Sharif, 28, who was previously threatened by Israel. They were inside a tent for journalists outside al-Shifa hospital in Gaza City when the attack occurred. It killed seven people in total. Israel took credit for the strike. In the statement, they claimed al-Sharif "served as the head of a terrorist cell in the Hamas terrorist organization and was responsible for advancing rocket attacks against Israeli civilians and IDF forces." The Committee to Protect Journalists said in a statement that "Israel’s pattern of labelling journalists as militants without providing credible evidence raises serious questions about its intent and respect for press freedom." Al Jazeera called the killing of its reporters "a desperate attempt to silence voices in anticipation of the occupation of Gaza." This is far from the first time Israel has blatantly killed journalists during this war; they've killed 237. 

Al Jazeera Media Network condemns the targeted assassination of its correspondents Anas Al Sharif and Mohammeel Qraiqea, along with photographers Ibrahim Al Thaher, and Mohamed Nofal, by Israeli forces.

#JournalismIsNotACrime

[image or embed]

— Al Jazeera English (@aljazeera.com) August 10, 2025 at 10:52 PM

Last words: In his last social media post, Al-Sharif's called silence in the face of this genocide complicity.

Barely an hour ago, Palestinian journalist Anas Al-Sharif warned us all:

“If this madness doesn’t end, Gaza will be reduced to ruins, its people’s voices silenced, their faces erased — and history will remember you as silent witnesses to a genocide you chose not to stop.”

Israel just killed him.

[image or embed]

— Prem Thakker ツ (@premthakker.bsky.social) August 10, 2025 at 2:09 PM

It's Tariff Time: Last week, international imports coming in at Seattle and Tacoma ports dropped by about 25 percent, according to KING 5. That's bad for businesses and for consumers. With fewer import-carrying ships coming in, the shipping options for exporters decline, and prices for many goods could increase as much as 20 percent. "All of those goods now have a 20 percent increase in cost at the border, and that's getting passed on through the wholesaler to the retailer and eventually to us," Port of Seattle Commission president Ryan Calkins said. Just when you thought life couldn't get any more expensive! Isn't America so great now?

Homicides Schmomicides: Murder is down in King County and Seattle. National trends saw violent killings dip in 2023. Seattle and King County, always a bit behind the times, didn't mirror that trend until last year. Now, this year, we're seeing 22 percent fewer homicides in the area, with 47 in King County by the end of June (compared to 61 last year). That's on track with the 20 percent dip in fatal violence across the board in 400 American cities. Additionally, in the country, and especially in our area, gun violence is down. The world is not as bad as certain media outlets (*cough* television news *cough*) want you to think.   

And Yet: Despite similarly falling crime rates in Washington DC, Trump is planning to mobilize the National Guard to help local law enforcement tackle what he called "totally out of control" crime and homelessness. 

Meanwhile: The Trump administration finds itself in court on Monday to determine whether deploying National Guard troops in response to Los Angeles protests over immigration raids violated federal law. Trump federalized California National Guard members and sent them to LA to keep order, which seems like a clear overstep since "the 1878 Posse Comitatus Act prevents the president from using the military as a domestic police force," according to the Associated Press. California wants a San Francisco federal judge to return control of the troops to the state and to stop "using military troops in California" to carry out "federal law or any civilian law enforcement functions."

The Weather: It's boiling out there. Hot! A heat advisory for the Seattle area is in effect until late Tuesday night. Today is the coolest of the hot days with temperatures in the low 80s. 

Catch a Shower This Week: The annual Perseid meteor shower peaks this week on Wednesday night. A bright moon may limit how many meteors you can spy, however. 

Australia to Recognize Palestinian State: Prime Minister Anthony Albanese announced that Australia will join the ranks of France, Britain, and Canada and will recognize Palestine's statehood. 

Shots Fired Over Shots: On Friday, a Georgia man armed with five guns drove to the US Centers for Disease Control and Prevention headquarters in Atlanta and opened fire at the facade, littering four buildings with bullet holes and killing one police officer. He was found dead in a nearby building. The man, 30, targeted the CDC because he believed the COVID-19 vaccine made him depressed and suicidal. This anti-vaccine rhetoric literally kills. 

Colorado Cooks: The Keystone State is dealing with one of the largest wildfires in state history. The Lee Fire has gobbled up more than 167 square miles west of Denver and is only 6 percent contained. On Saturday, authorities evacuated 179 incarcerated people from the Rifle Correctional Center as the fire neared. 

Wisconsin Drowns: Heavy rainfall and flash flooding in the Badger State cut power, closed roadways, and even—gasp—caused the cancellation of the last day of the Wisconsin State Fair. Don't forget! None of these natural disasters are normal despite the new normal of our climate change-ravaged world. 

Head Case: Two Japanese boxers fighting in separate bouts on the same card both sustained head injuries and died from subdural hematomas just one day apart. 

LA Labubu Larceny: A group of thieves stole $7,000 worth of Labubu dolls—those monstrous little collectible creatures I'm positive 90 percent of people are pretending to like for clout and 10 percent of people actually like—from an LA store. 

A song for your Monday: Um, just cause it's sweltering. 

as long as there's light we got a chance ([syndicated profile] suzukiblu_feed) wrote2025-08-10 09:15 pm

In your “Krypton Lives and Kara didn’t sign up for this” WIP, I am entirely picturing Kal, Kon and M

Tbh I know nothing about Absolute Superman except how banger his design is so like, honestly, friend?

v a l i d .

[ image descriptions: insert multiple random comic page/cover crops of Absolute Supertwink and that flawless-ass hair of his DOING the obliterating and also apparently Lara holding a gun that is almost definitely bigger than both of them in one arm, jesus christ mrs el mA'AM, no wonder your husband got you pregnant/threw your DNA in a birthing matrix with his, whichevs. ]

The vibes are fucking IMMACULATE, my good bitches.

Also, like . . . this Kal IS a diplomat who grew up on a red-sun planet as opposed to a yellow-sun farmboy who's been punching kaijuu in his downtime since his early twenties, so honestly, now that you bring it up? Yeah, he probably DID turn out significantly less ripped than canon Clark is, haha. Like, Kon and Match are definitely actually in better physical shape/fighting condition than Kal is, especially on KRYPTON. On Earth, well, he's physically/mentally/LITERALLY older than both of them are and had more yellow sun absorbed than either of them, even just as a visitor to the planet, so his powers were/are stronger. But on Krypton, this dude is just a dude! A very morally righteous and very pretty and very SMART dude who's got paperwork to file and a Council to verbally bitchslap, but still just a dude!! This man is the man who talks you down before his big cousin has to come fucking TAKE you down with extremely-prejudiced violence!!

. . . . . . . . . god, Kon and Match really are having a TIME of it in this WIP, aren't they, ahahahaha. 🤣